Drawing and painting people has been my passion and my profession for a couple of decades now. Fine art, comic books, animation, illustration – as long as I'm drawing people, I'm happy. I love the challenge of trying to capture (or create) a living, breathing, thinking person on paper. And I love talking about art books with other artists. Which ones are great, which ones miss the mark, which ones have tiny hidden gems in them. This list is a mix of books I love, and books I heartily recommend.
I wrote
Vanishing Point: Perspective for Comics from the Ground Up
Steve Huston is one of my heroes. I love his art and I love how he talks about art. Steve walks with his feet firmly on the ground and lavishes the feel of the dirt between his toes. He talks about the lofty goals of being human and creating art in the most down-to-earth, practical ways.
And that's not a side-note to his how-to-draw book, that's the central message of this how-to-draw book. See the world, be in the world, trust and love your own senses, make contributions to the world. This book is filled with gorgeous drawings and a warm invitation to ways of seeing and drawing and conceptualizing the human figure.
Figure Drawing for Artists: Making Every Mark Count is not a typical drawing instruction book; it explains the two-step process behind juggernauts like DreamWorks, WB and Disney.
Though there are many books on drawing the human figure, none teach how to draw a figure from the first few marks of the quick sketch to the last virtuosic stroke of the finished masterpiece, let alone through a convincing, easy-to-understand method.
That changes now!
In Figure Drawing for Artists: Making Every Mark Count, award-winning fine artist Steve Huston shows beginners and pros alike the two foundational concepts behind the greatest masterpieces in…
This book really “clicks” with how I imagine the figure and how I draw. There are a hundred ways to learn to draw, and you need to find the one that clicks with how your brain works. But ways that don't click still strengthen you. Even if Hampton's approach isn't the right one for you in the long run, learning it and trying it out will only make you a better artist. There's great stuff here about visualizing form, and simplifying form while keeping everything living and breathing instead of stiff and posed. This is a great book for people who want to draw from imagination as well as from observation.
Figure Drawing: Design and Invention is an instructional figure drawing book geared towards the novice and experienced artist alike. This book emphasizes a simplified understanding of surface anatomy, in order to clarify the mechanics of the figure, facilitate invention, and ultimately create a skill-set that can be successfully applied to other media. In addition, this book focuses very strongly on practical usage, making sure the artist is able to assimilate the steps presented here into a cohesive working process. (Fourth printing, September 2011)
Figure Drawing: Design and Invention is an instructional figure drawing book geared towards the novice and experienced…
You gotta know your sacrum from your humerus, and you've gotta know what your sterno-cleido-mastoid attaches to. Even if you forget the names, you've got to learn the shapes and the jobs. This book is pretty awesome for that. And it's pretty, too. I love the mix of photos and drawings. The transparency overlays of muscle over bone are crazy fun and might be that experience that triggers your flash of insight. This book isn't an art-school classic like, say Fritz Schider's Atlas of Anatomy for Artists, but it's good solid material. Drawing from a live model, with this book on your knee for reference? That's a good time.
Unlock your inner artist and learn how to draw the human body in this beautifully illustrated art book by celebrated artist and teacher Sarah Simblet.
This visually striking guide takes a fresh approach to drawing the human body. A combination of innovative photography and drawings, practical life-drawing lessons, and in-depth explorations of the body's surface and underlying structure are used to reveal and celebrate the human form.
Combining specially-commissioned photographs of models with historical and contemporary works of art and her own dynamic life drawing, Sarah leads us inside the human body to map its skeleton, muscle groups, and body…
This is my list so I wanted to include this book that was so key to me. This is an art book, but it's a very math-y art book with very few illustrations and almost no how-to step-by-step illustrations. It has pages and pages of “to draw a line from 30 degrees above the horizon and 15 degrees to the left of center etc. etc. etc.” text. It's a dense read, but it was the book that solved six-point perspective for me, which was a topic I'd been working feverishly on for a solid year and couldn't quite nail on my own. It really opened up my understanding of perspective, especially curvilinear perspective drawing. I owe this book (and Flocon and Barre) a lot.
You're drawing, you're painting, you're doing whatever you do – you're making things that weren't there before. You're creating images, you're creating visual stories. Sometimes creation is a thrill, and sometimes it's a bizarre disorienting struggle. Nobody expresses the creative life quite like Mr.Earbrass (and Edward Gorey). Is it a how-to book? No. Is it a how-not-to book? It's not really that either. It's a story about an eccentric novelist crafting his latest book. I give this weird little storybook as a gift to artist and writer friends all the time. Everyone I've given it to just raves about it.
On November 18th of alternate years Mr Earbrass begins writing 'his new novel.' Weeks ago he chose its title at random from a list of them he keeps in a little green note-book. It being tea-time of the 17th, he is alarmed not to have thought of a plot to which The Unstrung Harp might apply, but his mind will keep reverting to the last biscuit on the plate." So begins what the Times Literary Supplement called "a small masterpiece." TUH is a look at the literary life and its "attendant woes: isolation, writer's block, professional jealousy, and plain boredom."…
There are tons of books for drawing a red barn in a field or a still life with a fruit bowl and a wine bottle, but what if you want to draw Times Square as seen from the air? Or an Alien city or an underground labyrinth? Or anything else that only exists in your head (so far)? Where do you put the vanishing points? How many of them do you need? What if you want to do weird curvilinear-perspective fisheye-lens stuff? Vanishing Point is a perspective drawing book that focuses on drawing imagined scenes, as well as observed ones.
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea…or is it?
"Flight to Brassbright appeals to my inner child's desire for adventure and independence as well as my (mostly) grown-up desire for really well-written stories that capture my imagination and hold my attention." - Tricia, Amazon Reviewer
"...well plotted with a likable protagonist...upbeat with…
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea… or is it?
